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SERVICES & RATES

Manuscript Evaluation

$5 per 1000 words

When you've spent months—sometimes years!—working on a project, evaluating it objectively can be incredibly difficult. If you're not sure whether you're on the right track or what exactly your project needs next, Michelle is happy to provide an assessment for you. After a thorough read-through of your manuscript, Michelle will provide a comprehensive write-up that includes examining tone and overall concept; identifying whether it is likely to resonate with its intended target audience; outlining its general strengths and weaknesses; explaining what levels of editing it would most benefit from and why; pointing out what areas might require a sensitivity read and what unique areas of expertise to look for in a sensitivity reader, based on the specific content of the project, in order to get the most out of that service; and outlining any other useful steps that would benefit you in further developing the manuscript. In order to hone in on your areas of top concern, Michelle is also happy to address and answer up to five specific questions from you about the manuscript contents.

A manuscript evaluation is most effective when applied to a completed first draft. Please note that there is a $30 minimum for this service and that word counts are rounded up to the nearest thousand.

Developmental Editing

3¢ per word

 

Developmental editing's focus is all about assessing early manuscripts on a big-picture level. Rather than correcting language, it deals with overall issues and structural elements. In the process of a developmental edit, you can expect an editor to provide feedback on story structure, pacing, and characterization; point out sections that can be combined, omitted, or elaborated on; suggest ways to tighten up parts of the narrative that are dragging; point out plot holes and themes that don't fit with the rest of the story; and flag elements that may alienate readers. For developmental editing of non-fiction, you can expect an editor to suggest ways that the chapters might be reorganized, or divided and recombined, to improve flow; provide feedback on recurring themes and messages with an eye to strengthening them; suggest increasing or decreasing the level of personal information in order to best serve the intended purpose of the manuscript; point out sections that are rambling or aimless and could be tightened up or omitted; and flag areas that might benefit from more research.

For developmental editing, Michelle will provide detailed feedback in an extensive revision letter that outlines problem areas, with general suggestions on where and how those issues might be fixed, as well as more detailed feedback in comments on the manuscript document itself. In cases where pacing is an issue, Michelle may also include a chapter-by-chapter breakdown of story arcs and plot elements to help a client better understand the peaks and valleys of their piece, and to identify plot threads that have been unintentionally left unresolved or unaddressed.

Developmental editing is appropriate for completed manuscripts in their first or second drafts.

Copyediting

2¢ per word

Copyediting focuses on the nuts and bolts of language, as well as maintaining internal consistency. In the process of copyediting, you can expect an editor will do things like tweak sentence and paragraph structure to improve readability and flow; make sure the text is coherent and on topic (or at least that digressions serve a purpose, like injecting humour); apply appropriate paragraphing (including for dialogue); curb run-on sentences and comma splices (unless appropriate for the situation or character); check content for consistency in names, dates, locations, mechanics, world-building elements, and other such details; and correct grammar, spelling, capitalization, punctuation, verb tenses, missing words, etc. (These tasks are sometimes divided into two stages, with the first often called "line editing", but here they're combined. See the FAQ for more about this.) Copyeditors work off a set style guide (most fiction and non-fiction books published today use the Chicago Manual of Style) and dictionary (Merriam-Webster Collegiate Dictionary, Canadian Oxford Dictionary, etc.) as their base for which language rules to follow, but they should also keep notes about style choices and other important information that is unique to each author and project.

 

Copyediting is appropriate for manuscripts that have already been overhauled on a structural level and now only require some polishing. Copyediting is not appropriate for partial or incomplete drafts.

 

Michelle does not recommend skipping developmental editing, but some clients do not have room in their budget for both. In those cases, Michelle is often willing to provide a small amount of developmental feedback for copyediting clients upon request at no extra charge but, for practicality's sake, will limit it to issues that can be addressed without wasting any of the copyediting work the client is paying for. This means Michelle might suggest adding or re-arranging scenes but will not suggest gutting anything, even if the manuscript might benefit from some large-scale trimming.

Proofreading

1¢ per word

Proofreading is the last chance to go over a manuscript before publishing. The contents of the manuscript should already be well-organized, well-written, and easy to understand. In the process of proofreading, you can expect an editor to double-check fonts and formatting (margins, line spacing, running heads, etc), as well as that pagination is consistent with the table of contents. They will also look for any small errors the copyeditor may have missed (typos and missing spaces, accidental line breaks, or incorrect punctuation, etc) and will eliminate any new ones that might have been introduced as a result of transposing and formatting the manuscript copy into design and layout software.

Proofreading is appropriate for projects that are otherwise effectively ready to publish; for books, this means they have already been through the design and layout stages.

 

Please note that Michelle will only proofread projects that have been previously copyedited by a professional editor.

Sensitivity Reading

$3 per 1000 words

A sensitivity reader is a specialized expert fact-checker whose focus is on ensuring that the contents of a manuscript are as authentic as possible, as well as flagging anything that is likely to offend readers. Think of it as a very targeted manuscript evaluation.

Topics that Michelle is able to provide sensitivity readings for include:

  • The millennial generation (pop culture references; avoiding misconceptions and stereotypes)

  • Poverty (childhood and adult)

  • Disability and health issues (hearing loss; chronic fatigue; chronic pain; vestibular and mobility impairments; bleeding disorders; reproductive disorders and infertility; stigma; experiences of paternalism and being infantilized)

  • Abuse (domestic violence; emotional, verbal, and financial abuse)

  • Mental illness (generalized anxiety; social anxiety; depression; emotional dysregulation; PTSD)

  • Neurodiversity (synaesthesia; sensory processing disorders)

  • Gender issues (misogyny; modern feminism; avoiding paternalism, tokenism, and stereotypes)

  • LGBTQ+ issues (terminology; gender-variant experiences; lesbianism; bisexuality; avoiding tokenism and stereotypes)

  • Sexual assault and harassment (realistic victim experiences; realistic reactions from bystanders or other third parties)

 

A sensitivity read is most effective when applied to a completed draft as part of the developmental editing and copyediting processes, in order to identify issues both on the larger scale (such as a trend of female characters needing to be rescued by male characters, or all queer characters being unlikable, which might require substantial rewriting) and the smaller scale (appropriate use of slang, flagging offensive terms, etc). For more about how your manuscript might benefit from a sensitivity/authenticity reader, please see the FAQ.

 

Please note that there is a $30 minimum for this service and that word counts are rounded up to the nearest thousand. However, Michelle is willing to discuss, on a case-by-case basis, only looking at the relevant parts of a manuscript.

BUNDLES & DISCOUNTS

 

Only one discount may apply to any given service at a time.

Follow-Up Copyedits

 

Sometimes one round of copyedits is all a manuscript needs; other times, a copyedit reveals a need for moderate revisions in order to fix continuity errors, clarify sections that were confusing to the reader, and so on. Clients who hire Michelle to do a second round of copyediting with a view to eliminating any new errors that may have been introduced during rewrites (and to continuity-check the fixes!) will receive 50% off that second round.

Sensitivity Bundle

 

Because sensitivity reading is most effective when applied as part of both developmental editing and copyediting, this service comes with a bundle deal: Clients who hire Michelle to do a sensitivity pass during both stages of editing will receive 25% off the total cost of this service. (For a manuscript of 100,000 words, that's a savings of $150!)

Supporting Marginalized Creators

 

Because of the need for more diverse voices in the publishing industry, M Parker Editing offers reduced fees for writers from marginalized backgrounds. (This means disabled writers, LGBTQIA+ writers, writers of colour, etc.) If this is something you'd like to avail yourself of, just ask. How much you say is up to you; Michelle does not require, and will never attempt to coerce anyone into, the disclosure of specifics.